Friday, January 13, 2012

Keep the Bells Ringin! Rock the School Bells 2012



Rock the School Bells is back!  On March 24th, 2012 at Skyline College in San Bruno, CA, the alternative educational conference and concert returns for another round of workshops, performances, and forums.  Last year we at Fil Am Funk presented on documentary filmmaking.  Will the Funk be present again this year?  We shall see.

RTSB organizer and emcee Nate Nevado continues with his firm belief in the power and praxis of hip hop in our communities.  Sometimes traditional schooling has failed us.  For many of us, hip hop has been there to fill the void.  But an event like RTSB that champions the educational utility of hip hop does not come free.

Let's help Nate and the good folks at RTSB make the event happen.  Their IndieGoGo online fundraising campaign is in full swing, having raised to date over $1,000 of the  $15,000 goal.  You can help them reach their goal by February 15th.   

Keep the bells ringin!

What is Rock The School Bells?

Rock The School Bells (RTSB) is a hip-hop educational youth conference based in the San Francisco Bay Area. It includes a comprehensive blend of workshops and performances that enhance students' ability to:
  • think critically about current issues in their communities as well as in the world
  • read and write about topics related to their life's experiences
  • display effective oral and written communication through readings, spoken word and poetry
  • understand the historical and cultural aspects of hip-hop and its effect on society, education and personal development

These workshops integrate the four key elements of hip-hop: b-boying (breakdancing), graffiti art, DJing (turntablism) and emceeing.

Some of RTSB's past workshops have covered topics such as:
  • Hip-Hop Entrepreneurship
  • DJ Fundamentals
  • Hip-Hop and Social Justice
  • B-Girl It's Your World
  • Weapons of Mass Promotions
 READ MORE...

Thursday, January 5, 2012

Watch Global Pinay Style


Global Pinay Style documents the rich hip hop dance scene that Filipinas are creating in the Philippines and these dancers' creative influences around the world. Focusing on members of the Philippine All Stars and Stellar, the film shows how Pinays are carving out spaces for a vibrant dance subculture and proving their skills for a global audience.

Welcome to 2012! It's been a year-and-a-half since making Global Pinay Style.  As the women in the film will  attest, so much has happened within that time period: more championships won, more world tours, more music, more albums, the opening of Capital G Shop in Robinson's Galleria where young (and older) people can learn dance moves, and many more updates!  

I hope 2012 has much more in store for Pin@y dancers, musicians, artists, and performers all across the globe!! It's just the beginning.

Wednesday, December 14, 2011

Bay2LA Beatrock Music Dec. 17th



An evening of music and art; with live performances from the Beatrock Music family and a photo portrait series of Beatrock Music artists by Leo Docuyanan

Saturday, December 17, 2011

@ 2150 Folsom Street, San Francisco, CA 94110

ages 18 and up. Please bring photo id.
$12 door
8pm-12am
*cash-only bar*

PERFORMING LIVE:

Prometheus Brown & Bambu are The Bar
Otayo Dubb
Rocky Rivera
Power Struggle
Kiwi
Bwan
DJ Phatrick on the turntables

Visit:
http://beatrockmusic.com
http://www.leodocuyanan.com/
Video by Tony Rain (http://www.strivefilms.com)

Monday, November 28, 2011

Global Jologs Style: Pacquiao's flexible meanings in the Filipino diaspora


After a recent controversial win over his long-time foe Juan Manuel Marquez and a looming Floyd Mayweather showdown closer than ever (Money announced today a proposed May 5, 2012 fight date), Manny Pacquiao's notoriety shows no sign of waning, even though critics argue that his fighting ability is on the decline. As a congressman in Sarangani Province, the globally popular Filipino icon has had to juggle between his political responsibilities and his sports career.  Was this juggling the cause of his uncompelling and indecisive win over Marquez?

Filipinos in the U.S. and around the world cheered for their champ, with some making the holy pilgrimage to Las Vegas to simply be within Pacman's orbit.  And for Filipinos in the Philippines, waking up early and missing holy mass was a legitimate excuse for the sake of a Pacquiao fight.  The whole world watches when the athlete once featured in Time Magazine's "most influential people" list steps in the ring. 

And the whole world also wears him.

Nike's "Team Pacquiao" brand has become recognizable to many non-Filipinos, with the Philippine flag colors becoming synonymous with the boxer.  For sure, Pacquiao gear (and also Philippine flag-themed gear) has set its place at the table of Filipino American fashion sensibilities. 

Blue Scholars don't mind the jologs
But do the meanings of Pacquiao's image, especially through Pacman fashion, remain the same for all Filipinos around the world? 

I was surprised to learn that in the Philippines, many Filipinos regard Pacquiao as symbolizing "jologs," which roughly translates to "ghetto" or "kitsch." Yes, the heroic Filipino icon represents more dimensions than mass admiration.  But that's just it.  "Jologs" operates as a disparaging marker for people who are seen as mindless and naive (think people who wear too much Steelers or Lakers paraphernalia).  Hip hop too in the Philippines, as I try to show in my film Lyrical Empire: Hip Hop in Metro Manila (also viewable in the right column), represents for a certain segment of Filipinos a supposedly "uneducated" "jologs" spirit.      

For Filipino Americans, Pacquiao is an emblem of Filipino pride, identity, masculinity, and power. Even for non-Filipinos, as Davey D argues, Pacquiao has become a "People's Champion" because of his pro-common people values. 

But there is an undeniable phenomenon among many Filipinos in the Philippines in which they will happily watch the Pacquiao fights, but will refuse to wear Team Pacquiao clothing.  I wouldn't be surprised if the Team Pacquiao merchandise sold in the Philippines was mostly purchased by Filipino balikbayan tourists. 

For some reason, Pacquiao in the Philippines and Pacquiao in the Filipino diaspora isn't the same person.

Certainly a major explanation is class (and the specter of class aspirations).  Since Nike's takeover of Pacquiao merchandise, it has been much more difficult for poorer people in the Philippines to buy expensive Nike-brand Pacman shirts, hence the noticeable (and ironic) lack of Pacquiao clothing among the masa in the islands.  But the middle classes aren't sporting it either.  The real market, it seems, are those Filipinos "out there" across the globe who are unaware of the cultural politics in the mother land, who are oblivious to "baduy," "bakya," or "jologs"--epithets that describe the cultural tastes of the masa.

When Pacquiao makes his post-fight interviews, we might flinch and chuckle.  In the Philippines, the "jologs"-induced cringing moment could not be stronger.  As a major political figure who has little education, limited English (compared to more-educated citizens), and a manic masa following, Pacquiao exemplifies at best an ambivalent figure for many Filipinos in the Philippines, especially among those who have been critiquing civil society and are engaged in the political process, a process in which the champ has quickly assumed a degree of leverage and power (think Erap).    

When Pacquiao sings Karaoke songs on Jimmy Kimmel Live, many Filipinos in the diaspora embrace him for his levity and charm.  Without the "jologs" factor in their vocabulary of Filipino cultural politics, Manny remains harmless.  He might seem as simple as the poor people who sing on variety shows like Wowowee, but he is excused for his pronunciation and grammar "errors" because he is a winner--a masculine embodiment of Philippine nationhood.  

But in the Philippines, the complex and often contradictory cultural politics of everyday life manifests itself when the boxer-legislator appears on the TV screen.  In a poor country, "being" Filipino means much more than wearing the three colors.  When Pacquiao fights his opponents in the ring while also fighting key legislation such as the Reproductive Health bill, the cultural consciousnesses of Filipinos around the world become strangers.

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Sunday, November 13, 2011

Filipino American Dance Culture in Suburbia: The Story of Funki Junction


Our project Empire of Funk: Filipino Americans in the Cipher of Hip Hop is continuing to grow. Please check out this compelling article written by Cerritos-native Cheryl Cambay. It time stamps a very critical moment in the development of Filipino American culture in the 1980s and early 1990s. Great work, Cheryl! 

Also, as a reminder, we are taking submissions for poetry, fiction, photography, and visual art for publication on the website until November 28th. Visit our website for more information.


 

Filipino American Dance Culture in Suburbia: The Story of Funki Junction

by Cheryl Cambay

"...I remember rehearsals well – we’d end up at someone’s house and practice in the garages, front yard or the street. At one of girls’ houses - without the mirrors like you see in dance studios, the way we viewed our progress was literally to video tape rehearsals on a camera that was propped up on a tripod and view the footage and make adjustments, corrections, blocking as needed. When we rehearsed at Emil’s house I remember his mother had a glass-mirrored closet that we used to rehearse in front of and it was small so you couldn’t see the whole group from the reflection! Oh the joy of practices at our parents’ houses after school! And whenever we needed to rehearse or perform at a gig we literally had to call each other at home (no cell phones or email) or page each other to make sure we scheduled rehearsals and made ourselves available for the gigs we were asked to perform at. We also went shopping for performance outfits, which consisted throughout the years of overalls, paisley shirts, timberland boots, embroidered hats, parachute pants – what we considered cool and hip at the time!..." [continue]

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Friday, October 28, 2011

Multigeneration Fil-Am Cipher at D-Cypher!





Witness this multigenerational cipher of Fil Am dancers from the D-Cypher event at the Liwanag Cultural Center! 

Description:

Big shout out to JDB Creativity for the dance footage. Please check out http://www.jdbcreativity.com/ for more info.

D-Cypher was a discussion with some of the most influential Filipino Street dancers from the San Francisco Bay Area. The organizers bridged their personal histories, discussed how the scene was back in the day, and learned about Filipino contributions to street dance, Hip Hop, and Filipino/Fil-Am Kulture. Learn and hear stories about the local dance scene!

Panelists:

- Don Boogaloo
- OG Smurf (Master City Breakers)
- Finesse (Master City Breakers)
- J Krush (Star City Crew)
- Andre (Star City Crew)
- Gizmo (Renegade Rockers, Knuckle Neck Tribe)
- Chaz (GroovMekanex, Zulu Nation, Natural Elements Crew(DC))
- G Boogz (Knuckle Neck Tribe)
- wish1 (Jughead Tribe, Jedi Clan, Mindtricks, Groovaloos, Jabbawockeez, Sub Ren, w1shone.com)
- Sha Boogie (Renegades, Mind Over Matter, MPM, Tribe)
- Dennis (GroovMekanex, MuthaFunkers)
- Delrokz (Break for Tots, Zulu Nation)
Moderated by Alan Mar David
Edited by Will Kong
Sponsored by Liwanag Kultural Center, Kalayaan School for Equity, North County Peninsula Partnerships, and Rock the School Bells

Monday, October 17, 2011

Empire of Funk: Filipino American in the Cipher of Hip Hop is taking submissions for publication on our website! Deadline for submissions is on Monday, November 28th.  This is an exciting project me and DJ Kuttin Kandi have been formulating for some time now.  Big ups to all our contributors (who include DJ Icy Ice, DJ Niel Armstrong, Kimmy Maniquis of Kaba Modern, DJ Nasty Nes, literary award winner Patrick Rosal, and many, many others!) and supporters for being with us the whole way. Can't wait to see everyone's submissions! Here we go!

Description of Empire of Funk:
Empire of Funk: Filipino Americans in the Cipher of Hip Hop is a project that seeks to highlight the history and talent of Filipino Americans in hip hop. Long overdue, this endeavor attempts to demonstrate the intimate and meaningful link between the Filipino American experience and hip hop. Sometimes seen as a culture separate from the Filipino American experience, Empire of Funk provides a forum to foreground the exact opposite: hip hop culture has been integral to the Filipino American community, functioning as a legitimate part of the Filipino American experience well before hip hop gained mainstream popularity.

Furthermore, we believe that rather than spreading negative "pathology," hip hop provides a cultural medium for spreading knowledge and exploring cultural consciousness.

Empire of Funk serves as an artistic and literary canvas, gathering the talent of multiple generations of artists, writers, performers, photographers, scholars, educators, and activists.

We want your talent! We will be reviewing visual art, photography, fiction, and poetry submissions to be published on our website.

The theme for submitting original work is: Knowledge of self. Priority will be given to work that relates to Filipino American experiences in hip hop.

Submission procedure:


1. Email a jpg (less than 5MB) sample of your piece or a word document of your writing to EmpireofFunk [at] gmail.com.
2.Type Art Submission and your name in the Subject of line of your email.
3. Include your name, email, location, and website (if available) in the body of your email.
4. Submit your work by Monday, November 28th.

Although we are eager to review all submissions, we cannot guarantee acceptance of your work on our website or in future publications. Please note that artists whose work we accept and publish will retain ownership of their material.

In addition, we are looking for eager and talented minds to join us in the planning and growth of Empire of Funk, including web designers, print designers, and publication liaisons. Please contact us if you are interested.