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As for the Kasamas CD, it's very well-done: the production is clear and soulful, the young emcees (youth from the Filipino Cultural Center in San Francisco) are slick, honest, and passionate. They give a good glimpse of their struggles and daily happenings in the city. But what's really interesting is the Tagalog rap in the album. Like Bambu says in one interview, people were asking how he raps so fast. He says that's just how his momma yells at him. Well, these young emcees demonstrate the quickness, alliteration, and rhythm that Tagalog enables. Saico (who cameos in "Hearts and Minds") murders ya with that machine gun-style Tagalog flow.
I wonder what the trajectory of emceeing in Tagalog will look like? Will it become more and more popular among both Tagalog-speakers and English-speakers? Can we officially designate the category "Filipino hip hop" since the hip hop is spoken in Filipino language (re: Latin rap which, incidentally morphed into what is now called reggaeton)?
I just discovered SOULFIESTA with the dude B-Roc. You gotta peep their shit, they doin some good hip hop in the Philippines (via Turbulence Productions). Rap in Tagalog! Here it is!! Ain't it so fresh?
Nimbusnine feat. B-Roc - Champions
Written by G. Feraren & R. Andres Jr.
Produced by B-Roc for Turbulence Productions. Recorded at Soulfiesta Studios
(More on Turbulence Productions later...)
2 comments:
a couple of the links don't work the Kasamas Cd link and the power struggle link dont work. But Good post hopefully it's not all tagalog rap cause it's still hard for me to understand fully.
Thanks for the shout Mark!!
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