Some words to ponder on NFL Championship Sunday! 360 edition brings you past Sunday Ciphers, like this one on Mike Dream.
After a month in the motherland and questionable internet connectivity, the Sunday Cipher is back! I just want to thank everyone in Metro Manila who took me around and extended the opportunity to build, especially Jerome. Shouts to Chelo and Knowa and everyone else from the Philippine Allstars and Capital G Shop. B-Rocc, good to finally meet up! Next time, more sober atmosphere hopefully.
Back to the Cipher, below is a vintage Mike Dream documentary. Good (often profound!) material here. Just thinking about dude after returning to the sterility of the first world from the funk of the motherland.
Peep game:
(5:08) "Writing wouldn't be writing if it weren't illegal. It gotta be illegal. It gotta stay illegal... When you don't see writing on the wall then damn, it's something wrong! To me that just shows muthafuckas really got us in check!"
(4:10) "Truth is, a brotha with five cans of paint and the majority of it being silver could serve somebody using a whole buncha colors just because he know how to freak the style. Style to me man- you can have a laced out, nice, just freaked out wild style piece with you just saying the words that could cut up a whole ten man production, to me. That's just cuz that style just outsize that production."
After a month in the motherland and questionable internet connectivity, the Sunday Cipher is back! I just want to thank everyone in Metro Manila who took me around and extended the opportunity to build, especially Jerome. Shouts to Chelo and Knowa and everyone else from the Philippine Allstars and Capital G Shop. B-Rocc, good to finally meet up! Next time, more sober atmosphere hopefully.
Back to the Cipher, below is a vintage Mike Dream documentary. Good (often profound!) material here. Just thinking about dude after returning to the sterility of the first world from the funk of the motherland.
Peep game:
(5:08) "Writing wouldn't be writing if it weren't illegal. It gotta be illegal. It gotta stay illegal... When you don't see writing on the wall then damn, it's something wrong! To me that just shows muthafuckas really got us in check!"
(4:10) "Truth is, a brotha with five cans of paint and the majority of it being silver could serve somebody using a whole buncha colors just because he know how to freak the style. Style to me man- you can have a laced out, nice, just freaked out wild style piece with you just saying the words that could cut up a whole ten man production, to me. That's just cuz that style just outsize that production."
A few weekends back I had the privilege of attending the 11th Annual Mighty 4 in Oakland. Representin at the event were Lil John and Vogue 1, two Pinoy dudes I interviewed about 3 years ago at another Mighty 4 event.
Lil John is the brother of Mike Dream. Dream was a Pinoy brother from East Oakland who passed in 2000. Dream had been creating graffiti art since the early 1980s and his style became famous worldwide. The graff game is indebted to his creativity and genious. The hip hop world and socially-conscious folks miss his poignant political messages. This Artist Spotlight is dedicated to Dream, a beloved figure and pioneer in hip hop who stayed loyal to the culture and continues to inspire folks. It would be a huge oversight to not mention Mike Dream when discussing Filipinos in hip hop.
Above are a number of interviews I did for my short documentary, Hip Hop Mestizaje. I created this Mike Dream addendum to the film because so many of my interviewees gave shout outs to Dream as an influential Filipino brother in the hip hop hustle. Here are the interviewees in order of appearance: Geologic (Blue Scholars), Davey D (Davey D's Hip Hop Corner), Paulskee (Mighty 4/Rock Force/Zulu Nation), Basic (The Alias Brothers), Lil John (TDK), and Vogue 1 (TDK). Youtube has an abundance of Mike Dream videos. This one has a good interview with the brotha. And apparently he was supposed to be in a Converse commercial.
To learn more about him, here is an excerpt from Dream's article, "Writing is My Life":
"Writing is my life. I am a graffiti writer. Whatever people say about the terminology, I write. I've been writing since somewhere around '83...
I went through a consciousness phase in the writing, realizing that 'art for art's sake' was weak and that there was power in the message. I began to understand the roots of my own culture. My Filipino heritage taught me about the struggles and sacrifices of my people for equality in this country, opening my eyes to the racism that surrounds our lives, and all of our brothers and sisters of color. My pieces started to have more content and substance..." CONTINUE READING...
Nice legs! Props to the folks pedaling for sound. The entire Mighty 4 sound system was literally people powered. What a great idea!
With the theme of "Grow," the Estria Grafitti Battle encouraged some creative, bizarre, and inspiring pieces. The dude Vogue (bottom) takes the crown this year.
Scraper bikes. With the thump powered by a car battery.
Lil' John Francisco and (I think?) Mike Dream's son, commemorating the iconic Mike Dream through his art and memorabilia
Young people keeping skating alive
Mighty 4 one-on-one b-boy battle finalists Kareem and Richie
"My Blood Type is an 8-Bar Loop." Music video with rapper Nump dedicated to graf king Mike Dream
First of all, before we get into heavy discussion, I just want to acknowledge deep and profound respect for Mike "Dream" Francisco, a truly gifted and powerful graf king who continues to transform minds and art even after he left us in 2000. His saying "Dream, but don't sleep" speaks volumes to the inspiration he gives to artists, young people, and those who want to make genuine social change. Here is Dream's website: www.dreamtdk.com
Mural dedicated in remembrance to Mike Dream.
The music video above, whether you think it's good or not, includes some of Dream's most legendary artwork as well as a collection of veteran graf artists from Oakland, where Dream represented. You may know Nump from the hyphy hit "I Gott Grapes" and "Oooleee" from the Native Guns Straybullets 2 mixtape. Nump's not new to the music biz having worked as a sound engineer for heavy hitters such as E-40, Rick Rock, Mac Dre, Keak da Sneak, and Nate Dogg.
There are a lot of hyphy-haters out there. Many people who don't come from the West Coast may not be familiar with hyphy, which is a musical and cultural "movement" akin to crunk in the South. Some critics say that the movement has been dying out, but its highest points of popularity were probably between 2003-2006 (right? Sorry, I'm not too familiar with it as much as others). Hyphy is sometimes described as an extravagant form of black youth expression in the East Bay Area of California: gold fronts, big glasses, muscle cars , ghost ridin' (dancing outside of your car while it moves slowly without a driver), big dreds, thick slang, bright colors, hypnotizingly fast electronic-sounding music, etc.
And then we have Nump, who is Filipino. Nump Trump, as he calls himself, is gettin' his, gettin' paid, and havin' fun: all this in hella hyphy fashion! You don't have to hate hyphy to understand the tension here. Nump (and many other Filipinos hyphied-out) are sometimes called out because they are "trying to act black." This is interesting, because some will say that hyphy is as much a Bay Area thing as it is a black thing. So, being that Filipinos are sort of integral in Bay Area demographics--and definitely in Bay Area hip hop culture, which is celebrated by many blacks in the area (Mike Dream is legendary cross-racially)--what does it mean when Filipinos make videos like the one above? How far is too far when Filipinos indulge in black expression?
Here are a few examples of some comments about the Nump/Mike Dream video left by viewers on YouTube:
"Wow another stupid asian trying to rap! Vomits!!!!"
"As I was saying, ATL AND SOUTH GEORGIA, WHERE THERE ARE ACTUALLY BLACK FOLKS, will destroy these retarded Asians and Hyphy fags."
"one more thing... Atlanta and South Georgia, where there are actually black folks and not retarded Asian Motherfuckas, would kill this fairy."
"fuck asian american we flips dnt consider ourselves to be asian you fucker!"
"Hey whos that gurl wt the squinted eye? she not pinay.> they should remove her race in this video. Whose the director?!!!"
"fucc all u flip flops.. mix breed bitches!!!!!!! ya can never be like us!!"
"Flilpinos are the beaners of asia is true. 3/4 familes own a "bun muis" hahahahahahaa"
"Yeah,they do a lot of menial work. What's a bun muis?" [Editors note: Bun muis means Filipino maid in Hong Kong]
"good cause asians dont get walked over. dirty pacific islanders do though. look at ur raped country dripping cum from every fucking post-empire. choke on a lumpia"
(Sigh) Do you sense some tension here? I don't even know where to start. Although, most likely, these posts are from 15 year old kids with too much free time, I think they bring up some very serious debates. Here are a few points to discuss (aside from the Bay Area/South claim to the crunk/hyphy sound):
1. The black conflict with Asian representation in hip hop culture. 2. The emasculation/feminization of Asian men in this scene. 3. The debate on racial ownership of hip hop culture. 4. The tenuous placement of Filipinos in the Asian racial category, both internally by Filipinos themselves, and externally by other Asians and non-Asians. 5. The rejection of Pacific Islanders of Filipinos within the PI category (the other choice category by Filipinos aside from Asian)
So where do these points take us? Can there ever be a successful cultural collaboration among diverse racial and ethnic communities? And where do Filipino/as belong if some people from both black and Asian communities reject Filipino/a participation?
Whatever the case, even though it may not be the "best" video in terms of lyricism, I'm glad this video was made because more people outside of the Bay Area need to know about King Dream and his enduring impact culturally. R.I.P. King Dream and to all other cultural creators in the Bay who continue the legacy! Yeeee!